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Lucy Spraggan gets to start Bootcamp Pt2 as the judges look at individual performances and we see much more of what some of the contenders can do. She comes out with another of her own sparky little compositions. She ought to work with Dennis Potter on some series with that witty and delightfully accurate observation of daily life. She'll make the Judges' Houses, I'm sure and could be an entertaining act on the live shows but it will be as entertainment rather than a potential winner in the Girls category.

Rylan's track is far too loud to hear his voice and it's not an impressive performance. He's a likeable character, playing the Essex card as well as the gay card well. Again, an entertainment act, not a winning act. Gathan appears and then disappears. Odd bit of editing.

Jahmene has a melt down so we see what's left of MK1 instead. Pretty average and uninspiring. the girl can do better than that, I'm sure. Again, no winner there.

Triple J, Melanie Masson, Chris Maloney and Carolynne Poole come go, all doing kinda OK acts and you get the feeling they're safe enough. Kye Sones, though, is the first real act that really hits you and makes you think Hey, this guy's good!

From Above won't survive, way out of tune. Jade Ellis seems nervous but has some touches of quality in the performance. Not sure what to make of her at the moment.

Joe Whelan has a good vocal performance, as do Times Red, looking and sounding pretty good.

James Arthur, in glasses and looking big and much healthier than before, is relaxed and just excellent. He has to make the live shows on how he's doing so far - a really talented guy.

Leanne Robinson we haven't seen much of so far but she's attractive and hits all the right notes too, with signs of more than just natural talent but some sort fo training and experience too.

Adam Burridge sounds cool. Not so sure where he fits in but a decent act.

Ella Henderson is the last we get to see. She sings Believe, the Cher track that first introduced the world to autotune. This was a stunning performance of the track, totally different and this girl is going to be extremely difficult to beat. Only 16, too. This week someone had sorted out her hairstyle so much better too so she looked more 26 than 36. I reckon it could be between her and James Arthur. I know they haven't even made it through Judges' Houses yet but they are both that strong.

Now we get to learn the actual Final 24. This is the really important cut when 24 acts will get a chance to perform and get to know their mentor and make a real impression as to what they're really capable of and show whether they've the range of talents to get through to the live rounds and the personality and reliability needed for shows where emotions will run high and the public will expect to be entertained too.

We also learn, through a call from Simon Cowell in the States, just showing who's still boss, who gets to mentor which categories.

Nicole gets the Boys:
James Arthur
Jahmene
Nathan
Adam
Rylan
Jake

In Xtra Factor, Nicole gives a clear indication that she thinks James is the artist, is hoping that Jake will be the one for the girls and eithet Nathan or Ryland for entertainment.

Tulisa gets the Girls
Ella
Amy
Jade Collins
Jade Ellis
Leanne
Lucy

Tulisa sees Ella as the clear winner and admires Lucy. My guess is that she'll add Leanne to the mix. Whether one of the Jades replaces Lucy at the end of the day remains to be seen.

Gary gets the Over 28s
Kye Sones
Melanie Masson
Nicola Marie
Brad Shackleton
Carolynne Poole
Christopher Maloney

Gary has some strong acts. He favours Kye, Chris and will need the third to be either Carolynne or Melanie. Nicola and Brad, I fear, can assume they've got as far as they're going to go.

Louis gets the Groups
MITSOTU
Duke
MK1
Poisonous Twin
Rough Copy
GMD3

GMD3 won through a sing off with Triple J. That was a close call. You had to feel sorry for Triple J. I wonder if they'll get the call when Rough Copy can't travel to Louis' place?

This is one mixed bag and not the make-up I'd expected at all. Rough Copy would walk away with winning in this category but won't so at present it has to be GMD3 that are likely to make the running. Duke we have seen so little of but Louis has high regard for them. MITSOTU too seem to have caught his eye but will he, as usual include the novelty act to bring on the fun? If so then we'll have to put up with Poisonous Twin a bit longer.

So now we know.

So here we go again. Either Peter Dickson was speaking more quietly than usual or the letters were smaller but this was a classier start than usual and Dermot O'Leary is in there at the start, along with Olly Murs in fine form, on video at least, with Caroline and the judges.

This year for Kelly Rowland read Nicole Scherzinger which could be confusing for American readers, especially when X Factor USA kicks off soon. Nicole steered the excellent and not immediately marketable Josh Krajick to 2nd place in America's version, (Simon winning, naturally, with Melanie Amaro) and if she can actually make her mind up and keep back the tears a bit while she's over here then she's likely to be an improvement on her predecessor. Gary seems a little less desperate to impress, Tulisa looks older but still very pretty and Louis has more hair in several shades of grey. He is so fortunate that Simon isn't on the panel.

The show was under way really quickly and someone calling himself Sheyi takes the stage with a big smile, great manners and obvious talent. A natural entertainer but for some reason he rasped away in a bad impression of Louis Armstrong in tight trousers which no-one in their right minds would expect to get through. I'm convinced that this was some kind of set up - maybe they didn't have anyone amusing and reasonable for the first act so got this guy to act up for a few grand. Two reasons: one, when he dropped out of the rasping growl voice for the intermittent 'yay' or 'hey' you heard a decent and absolutely in tune voice, the sort you'd expect from someone like him and, two, my daughter tells me that he's Deputy Head Boy at Royal Latin School in Buckingham, or was last year, and that's neither his name nor his style. She also rather doubted that he worked at Nandos in London - Milton Keyenes, maybe - or came from Camden. Camden does sound cooler than Buchingham, though.

We moved on and someone with a name like Feckton sings Freedom pretty well, Rick's a fireman with red blotches and gets through as does Tasha with a nice tone and a first glimpse of some real talent. Then comes Jahmene Douglas. You think he's going to be the joke act and whine a lot or something. He has a nervous laugh at the end of each short sentence and long ones seem to be beyond him. The shiny grey suit is worrying too, looking like something someone bought for him and poured him into before feeding him up.

Then the guy sings. At Last is a pretty smart song at the best of times and he is just brilliant. Every note absolutely spot on, a totally natural singer. Outstanding voice but I don't know - despite all the raves from everyone there - how will he fare as the stages progress and can we really, honestly, imagine this chap dancing to an Abba song or whatever they get the poor contestants to do on the Live Shows? Writing this rather later than I should did give me the befit of a peek at some odds and the bookies have him as an early favourite so I guess he's safely through for a while yet.

We get a better chunk of Peter Dickson now with some competition that doesn't even have a question to answer. Eh?

Zoe does a Pink tribute not particularly well, despite a build up that made us think she'd be a good act. There's some nasty behaviour as she storms off and you do have to wonder whether the return of Brian Fieldman to direct the shows has had an influence on upping the drama.

Off to Manchester next and we get Scary Spice Mel B in various shades of strange orange being particularly grumpy with almost everyone. To be fair, they all deserved it and it was quite refreshing to see a judge telling acts that they weren't much good instead of pussy-footing around as most of the others have tended to do for fear of breaking some Single Equality Act regulation.

The one that didn't get the grumps was Ella Henderson who sang one of her own compositions. Now that's a brave move anyway but both her writing and her singing are damn good. Perhaps she will find herself aligned with Adele too much and it is to be hoped that she can pull herself away from that overdone genre. One class act and another tip for the top.

These are, though, very early days. It is, thank heavens, a long time 'til Christmas and the Final! I suspect there will be more contenders than the two everyone is talking about this week.

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